- ADOBE AFTER EFFECTS COLOR FINESSE HOW TO
- ADOBE AFTER EFFECTS COLOR FINESSE UPDATE
- ADOBE AFTER EFFECTS COLOR FINESSE FULL
So until Adobe builds some scopes into After Effects, Scopo Gigio looks like a nice, affordable alternative. And like all good useful tools a demo is available. Scopo Gigio is available for both Mac and Windows platforms with versions for After Effects and Photoshop CS3 – CS5. For Adobe Photoshop and Adobe After Effects.Full-featured waveform monitor and vectorscope.Here are a few (from the Scopo Gigio product page):
ADOBE AFTER EFFECTS COLOR FINESSE FULL
The company says it’s full featured and it really does have a lot of options. But it’s easy to overlook those shortcomings for the simple pleasure and benefits of using scopes while working in AE.
ADOBE AFTER EFFECTS COLOR FINESSE UPDATE
It doesn’t seem to update in real time when you’re in playback mode you have to release the mouse button when working with grading tools to see it update. And, of course, the scope reflects the playhead in the After Effects timeline.
ADOBE AFTER EFFECTS COLOR FINESSE HOW TO
The 14 project-based lessons in this book show students step-by-step the key techniques for working in After Effects and how to work efficiently and. Scopo Gigio will change to reflect the clip or composition that is selected in the Project pane. The project-based lessons in this book show you step-by-step everything you need to know in order to use After Effects CC to create cinematic visual effects and sophisticated motion graphics.
It’s not an effect that you apply to a clip but rather a floating palette that you open via the Window menu. This $125 tool adds a floating video scope window to After Effects that includes both a waveform and a vectorscope (there’s also a version for Photoshop). After Effects even comes with Synthetic Aperture’s Color Finesse LE but that color correction tool has to be opened in its own interface before you can gain access to its scopes.Įnter Scopo Gigio from Meta/DMA. Software scopes are a reality, included in everything from Final Cut Pro to Premiere Pro. The application does so much and is sometimes used as a finishing tool, yet Adobe has never added scopes. Also, there are several different scenes, so I have a feeling that each venue will need fine tuned (church, outside, reception).One thing that I’ve never quite understood about Adobe After Effects is why it doesn’t come straight from Adobe with a full mix of built-in video scopes. And if it is possible, what would be the best way to do it? I have fiddled with Color Finesse, but can’t seem to get anywhere close to a realistic color scheme. My question: Is correcting the color on something like this even possible? I am not looking for perfection, just a way to make the color shift less noticeable. Some sample images will be shown below, as well as a link to 4 small clips of the video (98MB total – RAR). The whole film has a blue/green tint to it, and all of the highlights are a very vibrant green. The quality is actually much better than I expected for such an old tape, but the colors in the video are very inaccurate.
I have already ripped the video to my computer using a Black Magic Intensity, and am working with the 8-Bit Uncompressed file. The video I am dealing with is a VHS recording of my parents’ wedding from 1984. I’ve done some work in After Effects for school projects and small special effect videos, but never anything relating to video accuracy. It’s my first time posting at CC, and I am absolutely a beginner when it comes to video editing.
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